The First Law

by Joe Abercrombie

The trilogy that established Joe Abercrombie as one of the defining voices in contemporary fantasy. Three characters - Logen Ninefingers, a barbarian from the North trying and failing to leave his violent past behind; Sand dan Glokta, a crippled Inquisitor who was once the Union's finest swordsman and now extracts confessions with methodical self-awareness; and Jezal dan Luthar, a vain nobleman who wants glory without cost - are drawn together by the wizard Bayaz, First of the Magi, whose purposes are not what they appear. The trilogy spans a war with the Gurkish Empire, a journey to the edge of the known world, and a siege of the Union's capital, but its real subject is the gap between who people think they are and what they actually do. The First Law established the template for grimdark fantasy and remains its clearest expression: the world is not fair, people do not change easily, and the powerful stay powerful regardless of who wins.

Part of The First Law World

Joe Abercrombie's First Law World - officially called the Circle of the World - is deliberately and methodically unglamorous: a cold, wet continent divided between the Union (a corrupt parliamentary monarchy), the North (a collection of feuding clans), and the Gurkish Empire to the south, with the frozen wastes beyond the North home to something older and stranger than any of them. Magic exists but is rare, expensive, and morally compromised. Heroes exist but are not what the stories about them suggest. The First Law trilogy introduces the world through three characters whose intersecting arcs establish everything the series stands for: the idea that people don't change as much as they think they do, that institutions are self-perpetuating regardless of who runs them, and that the gap between how things are supposed to work and how they actually work is where most of human experience happens. The standalone novels - Best Served Cold, The Heroes, and Red Country - expand the world geographically and thematically while revisiting characters from the trilogy in ways that reward the longer view. The Age of Madness picks up a generation later, in a world undergoing industrialisation, and finds that progress and justice have very little to do with each other. Abercrombie is the defining voice of grimdark fantasy - a genre that applies realist pressure to epic fantasy conventions - but the First Law World is more than its reputation for bleakness. The books are funny, the characters are vivid, and the plotting is precise. The darkness is purposeful: a sustained argument that the stories we tell about power, heroism, and change are usually wrong, and that examining why they're wrong is worth the discomfort.

The First Law

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